![]() ![]() Though formally diverse, his films La Passion de Jeanne d’Arc - Rozelle Hospital, (2004), Caligari und der Schlafwandler, (2008) or Oedipus MarshallI, (2006) all share a common thread: Téllez actively engages patients of local clinical facilities in the structuring of each project. Having experienced the plight of mental patients from an all-too-personal perspective, he soon began to embrace collaborations with the mentally afflicted as his preferred working method. ![]() With both parents working as practicing psychiatrists, Javier Téllez tells us that early in life he found it difficult to distinguish the boundaries between normalcy and pathology.
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